Last night, CF Asha and I chatted about BETs The Game. We discussed our overall opinion of the series as a whole and the Tuesday (3/1/11) episode specifically. As Crunk Feminist we pay particular attention to the linkages of race, gender, and popular culture and ask for the writers and producers to do better. We posted the edited transcript of our conversation below. (Note: It’s a bit long, but its a chat so should be a quick read).
Ashaf: Where should we start?
Chanel: well i think the Meagan Good (Parker) thing is a good place
Ashaf: But the season begins with Parker slapping the hell out of Malik. Sometimes I’m not sure whether I should take umbrage at the violence or accept it as part of kink culture. Are there lines? Am I being provincial?
Chanel: I don’t remember the context of the first slap. Was it sexual?
Ashaf: They were having sex on a toilet I think.
Chanel: lol. But they’re doing a lot of slapping this season. Didn’t Mel slap the shit out of Derwin last night?
Ashaf: Yes. Melanie got her slap on a few times last night
Chanel: That’s some lazy ass kink writing. The way they participated really wasn’t in a way that disrupted any kinds of sex norms, which is what I think is interesting about kink. This kink was on some Usher shit.
Ashaf: On some Usher shit!!! Bwahaha!!!
Chanel: what’s that song where he wants her to be the man for the night? Trading Places. Anyway in that song he does this whole thing about how he wants her to take control and give it to him like he usually gives it to her, but then in the end he takes control back. And some kind of way this kind of kink is similar because it seems to be controlled by male sexual desire.
Ashaf: Male desire definitely controlled Melanie’s attempts to liven things up last night. Did you see her face after the other woman kissed her?
Chanel: That whole thing was a shitty ass mess and did nothing for the overall goal of the season
Ashaf: What is the overall goal of the season? PLEASE clue me in
Chanel: i feel like this season really wasn’t thought of when Mara conceptualized the show.
Ashaf: I think they’re just trying to stay on television by cramming in as many stereotypes, booty shots, and pseudo-dramatic scenes as they can.
Chanel: I think that what we saw at the end of The Game’s run on the CW was supposed to be its ultimate ending that would have taken several seasons to get to. Now that it came back they have to try to create drama. But it would be much more useful if they were highlighting some Other Side of the Game (shoutout to Badu) that we didn’t know about. They are really pulling straight from the ESPN headlines and not even doing anything interesting with what they portray
Ashaf: Yes. The same formula won’t work here– especially when the show picks up two years later…
Chanel: They are using the headlines as a measure of authenticity as opposed to actually being authentically relevant to the lives of the viewers
Ashaf: I read an article that suggested that the Game was ahead of its time because the things that they were portraying eventually actually happened on reality television… Now they are behind those headlines, and it looks a little cheap, not cheeky.
Chanel: That’s so true. But it’s sad because these are the only places we have any form of representation. We are not on regular TV at all
Ashaf: But that’s why I’m so thirsty!
Chanel: i mean i feel like through the realm of cable television we have the power to really take some kind of power in our own hands and control the African American cultural representations. Cable television has a little more freedom than regular television because each channel tries to cater to a particular audience as opposed to a broad audience—so BET to black audiences
Ashaf: Yes!!!! And I thought The Game would be really powerful because it was OUR show– brought back by popular demand, not a major Network’s decision.
Chanel: but then that makes me wonder, what the game is saying to a largely black viewing audience, especially about male/female relationships and about black women. So for me, it’s largely becoming a disciplining project for black women. It’s providing a sort of measuring stick for us to adhere to.
Ashaf: Yes. Another way to tell black women how to get, keep and treat a man. Still, I wonder if the changes were the network’s decision or if they really just had less money and fired the good writers. The show looks like the writers meet in a living room and don’t belong to a union.
Chanel: yes! We totally need to know about the production
Ashaf: what about the rape scene last night?
Chanel: omfg. The rape scene
Chanel: that shit pissed me off on so many levels
Ashaf: Level one: Did she really “cry rape”- as in take a saying literally? Is that what people do? I wish that somebody came knocking on the door every time a woman cried rape…
Chanel: As if that what’s rape looks like though- screaming and throwing things. Sometimes sure. But that stereotyping of the reaction to rape is deeply troubling and leads a lot of women to blame themselves or wonder if it even happened because that wasn’t their reaction
Ashaf: Even if we give that horrible performance by Parker a pass and believe that she coerced Malik into sex with that move, what does it mean that the coercion was glossed over? He cried a few tears on a naked model before the show ended. But that was all. Coercion and rape were both jokes last night.
Chanel: Because certain bodies are unrapeable. Men and black women- these bodies can never be raped. So Malik wasn’t raped because men can’t be
Ashaf: Yes yes yes
Chanel: and for Parker, that just perpetuates the idea that black women cannot be raped because they either asked for it or are lying.
Ashaf: Especially those who claim to be raped by those with a great deal of power. We all know that powerful men have hearts– just like Malik. And golddiggers will try anything to make them fall.
Chanel: and speaking of the connection to the headlines, was that not that whole Kobe thing?
Ashaf: Yes, it was the Kobe thing. Recycling some questions from the public about Kobe’s rape trial: Why would Malik have to rape her when women throw themselves at him all the time?
Chanel: [difference being on the body of a black woman. and that connects to the history of the jezebel. the black female slave couldn’t be raped because she was hypersexual and was always already desiring and wanting some dick. Parker wanted sex so bad that she threatened rape to get it. I wonder if they’ll ever show that on the show. A football player actually raping
Ashaf: They lightweight showed one form of sexual exploitation last season when Malik revealed that he had a room full of videos of women, and that some of them didn’t know he was taping.
Chanel: oooooh yeah. I remember that shit. Surveillance at its finest
Chanel: i just worry about the implications of such representations. We’ve been blogging about this in the way that first black women’s experiences of sexual violence are never talked about and second when they are talked about they are deeply problematic. So in this case, she uses rape as a tool of manipulation and unlike a golddigger that wants his money she is hypersexual and only wants sex. But it’s still contributing to these archetypes of black womanhood that keep getting reinscribed and fed back to us (shout to Patricia Hill Collins)
Ashaf: It is strange that violence against women has never been addressed in this show that is all about athletes and their wives and fans… So why is it Malik’s character that gets used for all the “deep” stuff– absent fathers, tolerance of homosexuality, now coercion, rehab…? Is he supposed to be the most hypermasculine?
Chanel: He is supposed to be the representation of stereotypical black male athletes. The problem is they don’t really problematize this representation. Like it could be done really differently and good by pointing more closely to the structures that create such a representation. But instead they just drop that shit in and it sounds so familiar (single mom, drugs…) that it doesn’t call us to be critical. I’m thinking of a show like The Wire that did that particular well (though still left women and girls invisible and marginalized at best)
Ashaf: Right! I was going there. Earlier, they were doing some interesting things with his character… The Michael Eric Dyson guest appearance, the big girls episode… even the (hastily written) homosexuality episode. Now there’s no snark left.
Chanel: yes. That episode was good. It was one of the only times we saw black gay men on TV that weren’t there for comedic fodder
Ashaf: But even the gay episode was kinda comedic, right? Like is that really how gay men get down? They just read some signs then rub up on somebody from behind? That was kinda about heterosexist phobia that all gay men really want is to sleep with straight men…
Chanel: o yeah. I didn’t really remember the details of the episode. But you’re right. It was very flat representation. Even the model saving him provides a binary opposition for Parker and we get another good girl/bad girl thing happening where we are told to view one as evil and one as good. They ain’t slick with their constructions.
Ashaf: Yes– definitely the good girl/ bad girl shit going on. And what does a good girl want? To help the suffering man– even if it means jeopardizing her own sobriety by messing with another addict. What does the bad girl want? To satiate her own desires by any means necessary– cheating on her husband, crying rape-literally-, and coercing Malik into sex and cunnilingus. What was that “cat got your tongue AGAIN?” shit?
Chanel: I also want to touch on the threesome thing. I think it really showed (while not problematizing) the way that we as women continue to see ourselves as projects to be worked on. So even when our partner isn’t expressing dissatisfaction we go off and work on ourselves. Derwin didn’t ask for any of that, but she felt that she had to be better to keep her man. I feel like she’s having to do a lot of changing to keep him in ways that she didn’t have to before.
Ashaf: Yes. Harveyism. The message is that the marriage’s upkeep is up to the woman. I mean she literally dropped everything to “take care of” her husband. What does it look like to take care of a millionaire?
Chanel: how the hell he gon make her go to church?
Ashaf: Right! And when did he become the “head” of the household? He was so corny for all those seasons, but they were more like equals… both focused on doing their own thing and trying to figure out how to love and coexist.
Chanel: yes! How to love and coexist. I hate that Mel lost a part of herself to become one with him. I don’t believe that marriage is about two halves becoming whole. It is about 1+1=2
Ashaf: That is good addition, but in popular culture, love begins with subtraction. Black women need to take away a lot of things before they find “the one”– their attitude, their independence, their high standards and aspirations…
Ashaf: Last night, the women in competition trope was so loud!
Chanel: yes. Too loud. Where is the sisterhood?
Ashaf: Melanie’s competing with unknown groupies, with Derwin’s former lover, with the random woman at the club… She didn’t go through with the threesome because she felt jealous.
Chanel: seriously. Melanie’s character has changed drastically
Chanel: she was always messing things up but i feel like before she was searching for self
Chanel: I’m not sure what she’s doing now
Chanel: it’s all out of fear of losing him. So really you’ll do ANYTHING to keep your man?
Chanel: you can miss me with all that. Seriously
Ashaf: I wish the producers would figure it out. The Janae thing is old (more competition!), Mel should have got used to it by now, and should even love Derwin’s son. Med school was a space for tension in the previous seasons– now she’s done. Her hair was sassy before. Now she looks like Weavonce.
Chanel: I feel like she’s become Kelly Pitts’ former character. The way she conducts that Sunbeam stuff is so unlike her. I also didn’t like that Melanie’s measure of progressiveness was tied to having a threesome. She told the woman something like “i thought i was the progressive woman but I’m not.” sooooo [not having a threesome] discounts your progressive politics?
Ashaf: Progressive is following your own desires, sweetheart, not fashioning your desires after what you imagine men will like.
Chanel: i mean i don’t think she’s progressive (well the show hasn’t shown that) but what does that have to do with that scene? And i feel like in some way it ties sexual activity to feminism. I mean they didn’t say feminism but i know they were lumping us in to that
Ashaf: I think it has to do with boiling down discussions of sexualities to discussions of tolerance. I am all for the no-bullying campaigns, but discussions of sexuality have the potential to queer lines… when we only talk about tolerance we are really talking about being politically correct (I don’t see sexuality. We’re all the same)
Chanel: but i know I’ll keep watching and hoping for it to get better
Ashaf: So what do you say to the person who asks why we don’t just change the channel? Why is it worth writing about? I gotta have something to tell my parents:)
Chanel: because we believe in it its potential and we have previous seasons to back up our beliefs. If we really felt that it was too far gone, we wouldn’t write about it. There is so much power and necessity in talking about sports
Ashaf: I think it’s also because pop culture is a form of education. People don’t want to criticize what they enjoy, but they are learning all along. This show will educate the jurors on future rape trials and that’s scary to me.
Chanel: so true! Pop culture matters in so many ways. I just really want complex representations of blackness in all its forms
Ashaf: Yes… crying for complexity
Chanel: depending on how this is received we can think about briefly talking about The Game every Tuesday