By now, many of you have experienced the delightful ratchet theater that is Love & Hip Hop Atlanta.
One word: Ratchetstilksin
Love and Hip Hop Atlanta is the brain-child of producer, Mona Scott-Young, who also unleashed upon the world created the first Love and Hip Hop series. LAHHA follows, as you might have guessed, the high and lows of several (not particularly well-known) artists, producers, baby mamas, and the like who are enmeshed in the music scene in Hotlanta. After randomly stumbling upon the show a few weeks ago, I must confess that I am hooked. I swear I watch episodes without blinking!
How could you look away?
I find a couple of things fascinating about the show. One of the main plots of the show is the love triangle revolving around producer Stevie J, his long-suffering “main chick” Mimi Faust, and his protégé/side piece, Joseline Hernandez.
The shade of it all!
Shoot, I might could call it a love rhombus since Stevie J can’t seem to recall how many women he’s “smashed.” (Also, could we forever retire that term as it relates to sex? Between banging, smashing, hitting, cutting, beating it out the frame, and blowing people’s backs out, sex seems more like war than an exercise in pleasure. For real.)
In any event, I have been chatting with various friends who watch the show about the allure of Stevie J. I just can’t figure it out!
Yes, this fine specimen.
We debated whether he was really putting it down like that, if it was just some swag (that I couldn’t see), or is it that he preys upon the weak and the desperate. I think it may be a heady combination of all those things. What has been interesting, though, is despite the foolishness of LAHHA, in many of these conversations, my friends and I are not simply talking about the antics of these “characters” that we may make fun of from a distance, but remembering the fact that some of the people we know and love—perhaps even ourselves—have been embroiled with the insecure, the unavailable, the emotionally-manipulative, the wack, and the ratchet. Or that we ourselves might have (and still might be) those very things.
The other thing that’s interesting to me about LAHHA is the whole discourse around femininity, especially as it relates to Joseline. A former sex worker with aspirations of producing mediocre rap/reggaeton, Joseline’s so-called masculine appearance has been ridiculed on the show and pretty thoroughly in the blogosphere.
Tell ’em why you mad.
I’ve heard everything from the fact that she is “really a man” to the notion that her whole experience of getting an abortion was just a ploy to convince viewers that she is “really a woman.” Now, I expect very little from VH1, which has rebranded itself as a top channel on the backs of women-of-color acting a damn fool, but this unadulterated trans hatred has lowered my already piss poor expectations of the network. And the discussions of Joseline on the ground emphasize what we already know: we desperately need the language to talk about sexuality and gender expression in ways that not only do not diminish others, but that also recognize complicated realities within ourselves.
The storyline with Lil’ Scrappy (bless him) and Erica is also fascinating to me. The whole notion that she’s unavailable emotionally and that he needs someone who’s more affectionate is type interesting. On the one hand, let me mess around and find out that the Prince of the South is a softee and just needs to be held at night. I appreciate seeing dudes with neck tattoos reveal vulnerability. Then again, the discussion about Scrappy’s emotional needs seem to come at the expense of Erica’s. So, she’s wrong for not staying by his bedside when he has an alcohol-infused asthma attack, yet Erica revealed that Scrappy was not there for her during a miscarriage. Now, relationships—even on reality TV—don’t survive on passive aggressive tit for tat type behaviors, but something just ain’t right there. And it seemed all too convenient that their breakup went down after Scrappy got into some extracurricular activity with his best friend,
Buckey from Flavor of Love Shay. This is all too messy. I will say, the exchange made me think of some sistas I know who, on the one hand, are asked to always asked to be a STRONGBLACKWOMAN and who then get blasted for being too cold, frigid, and distant. It just seems like a setup.[i]
OK K K!
Some of you may be thinking, “Really, Crunkadelic? I come to the Crunk Feminist Collective to read about weighty issues and you talking all this noise about some silly show on Vh1. Really?!”
I mean, it’s cool if you don’t like reality shows or if you prefer to save your brain cells by watching more intellectual fare or by reading a book. We not going fall out about it. Indeed, I totally cosign with my girl Black Artemis who recently wrote a great post about letting go of her guilty pleasure, Basketball Wives. (A show that brings my pressure right on up. I just can’t do it). Sometimes, shows (books, jobs, people, etc.) are just too toxic and, if we can, we have to let them go. That being said, I’m pretty unapologetic about my complicated viewing choices. I have already written about my appreciation for trashy TV. These days, when I do have time for TV I can watch anything from Melissa Harris Perry’s show on MSNBC to The Barefoot Contessa cooking show, Parks & Rec, Sherlock (I’m obsessed! Also, I want a puppy named Benedict Cumberbatch), in addition to more ratchet fare such as Keeping up with Kardashians (I know I’m not the only one), Love & Hip Hop, Single Ladies, and so on. And I’m interested to what these scripted reality TV shows say about our own lives and how we make sense of life and love where cameras are not rolling.
So, fam, what are your thoughts on Love and Hip Hop Atlanta?
[i] Check out Joan Morgan’s When the Chickenheads Come Home to Roost for more on this phenomenon.